Nikon Capture Nx 2


Nikon capture nx 2

For more information about Nikon imaging products and services, please visit the Worldwide Network page, and contact your nearest Nikon subsidiary or  Version‎: ‎ Jul 10, - Capture NX-D is designed for a broad range of Nikon camera users wanting to use a variety of functions to develop RAW images taken with. Capture NX 2 easy-to-use software lets you make intuitive photo enhancements which are immediately visible on your monitor. Simply place the Control Point.

While palettes snap to the side of the screen and dock together, clicking a small widget on each palette floats it so you can position it wherever you want. A second click returns the palette to its default position. Figure 2. The Capture NX 2 editing environment. While largely unchanged from the previous version, many interface refinements make for a more streamlined editing environment. New to version 2 is an Options bar, which sits directly beneath the Toolbar and holds context-sensitive tool parameters.

This is a great improvement over the dialog-based approach to options that NX 1 used. I like this change. A new Workspace feature lets you save your palette arrangements. Simply select a saved workspace, and your palettes immediately snap to their previously defined locations. Figure 3. The new Workspace feature lets you save palette configurations and easily switch between them with a simple menu option. Instead, the software stores your edits in a list and applies those edits to your original master image in real-time whenever the computer needs to display the image on-screen, print it, or write it to a file.

The obvious advantage of non-destructive editing is that you can alter or remove any edit at any time, and in any order. The Edit List in NX 2 has been greatly improved.

In the previous version, when you clicked on an edit, a little dialog box-like thing opened up to the side of the list. You adjusted parameters there, then clicked OK. With version 2, the Edit List simply houses controls that you adjust. In previous versions, Base Adjustments was where you controlled basic Raw conversion parameters and image processing controls that could be set within your Nikon camera.

The Edit List is now divided into two major areas: Develop and Adjust. Develop is where you perform all of the basic adjustments to globally tone- and color-correct an image.

Adjust is for additional, refined edits. Capture NX 2 automatically puts the edit in the appropriate pane within the Edit List. With version 2, the bulk of the Base Edit adjustments are in a new edit called Camera Settings. There you find all of the Raw conversion controls and other camera parameter settings that used to reside in Base Adjustments. Camera Settings only appear if your image is a Nikon Raw file. The rest of the former Base Adjustments have been spread through other edits.

To facilitate a speedier editing workflow, a new QuickFix edit appears just below Camera Settings or at the top of the list if there is no Camera Settings. You control these edits through sliders and buttons within the Edit List. These tools automatically identify shadow or highlight areas and darken or lighten only those areas. Their implementation in Capture NX 2 is very good.

As with the previous version, Capture NX offers highlight recovery for Raw files. Nowadays, this is a standard feature in any decent Raw conversion program and an essential capability for Raw shooters. Both the Exposure Compensation and Highlight Protection sliders perform highlight recovery. This is an area where the program could use some improvement. With them you can easily create complex selections and masks that are very difficult to achieve in other image editors — even Photoshop.

To use a control point, simply click it on the part of the image you want to adjust. Capture NX samples the color beneath the Control Point, then uses that color sample, combined with the specified radius, to calculate a mask. The brightness, contrast, and saturation adjustments are automatically applied through that mask. Figure 4. I do, however, have some suggestions for improvement.

It would be much easier if selection control points could be manipulated with the aid of the same branching tree structure and sliders similar to those used with color control points. And maybe even a magic wand selection tool. NX 2 is a really great complement to working with NEF and other file formats.

There are some issues, though—after working extensively with a file, it may start to drag and complex files take minutes to open. The new retouching tool is good, but it needs to be developed further, more like the Healing Brush in Photoshop. Also, other tools, such as sharpening and blur, are provided in limited forms. Noticeably lacking are dodging and burning in, cloning, and text tools. Distortion control only goes so far, and when it comes to non-Nikon files, vignetting correction is not available.

To the left of that is the new Auto-Retouch Brush tool, which needs some retooling. Additional tools not shown can also be found on the toolbar. So, is Capture NX 2 a muscle car?

Not just yet. It still has a ways to go.

Nikon capture nx 2

Capture NX 2 Review: Capture NX 2 7 Comments Pros: Much improved interface; Control Point tools are unmatched in other applications; Selection Control Point allows for complex masking of additional effects; completely non-destructive.

Underpowered browser; highlight recovery is not as good as other Raw converters; only supports Nikon Raw files Score: PhotoMat, or something like that?

The fact that this occurred in spite of the competition is a testament to the quality of the program. The Browser Capture NX 2 is designed to handle all of the major stages of your workflow. With the browser, you can view folders full of images, rate and label files, edit metadata, and open images in the Capture NX editor.

Figure 1. The Capture NX 2 Browser provides basic filtering, rating, and sorting capabilities, and has some important interface changes from the previous version. Click on the image for a larger version.

The main point of a browser, though, is to start your workflow. By examining thumbnails, your can cull the select images from your entire shoot, so that you know which images you want to pass on to the rest of your workflow.

With its label, rating, filter, and sort tools, the NX 2 browser does facilitate this process. However, maximum thumbnail size is larger than it was in the first version of Capture NX. The browser also lacks a magnifying tool for examining fine details, which makes sharpness assessments difficult.

Navigation in the browser is easier thanks to a new Up Folder button at the top of the browser, and because of the addition of Favorites, a pane where you can drop commonly used directories, providing single-click access to those locations. Rating and labeling are also improved. You can specify ratings from 0 to 5 stars and use nine different customizable labels. Through simple preference changes, you can alter the color and name of any label and even use presets to match label colors and names to those of other popular browsers.

Metadata editing is easy and intuitive, and the mechanism for defining and applying keywords and presets makes batch metadata changes very easy. Note that, like its predecessor, the NX 2 browser cannot display icons for non-Nikon Raw files. So, non-Nikon shooters will need to use a different browser for the start of the their workflow.

Also, the Capture NX browser is strictly a browser. However, this is not a knock on the browser, as these are not typical browser functions. Simpler Editor Double-clicking on a thumbnail in the browser automatically opens the image in the Capture NX editor.

You can also open an image as you would in any other image editor: Like the first version of Capture NX, the NX 2 editor consists of a stack of palettes along the right side of the screen, and a toolbar across the top. While palettes snap to the side of the screen and dock together, clicking a small widget on each palette floats it so you can position it wherever you want.

A second click returns the palette to its default position. Figure 2. The Capture NX 2 editing environment. While largely unchanged from the previous version, many interface refinements make for a more streamlined editing environment. New to version 2 is an Options bar, which sits directly beneath the Toolbar and holds context-sensitive tool parameters. This is a great improvement over the dialog-based approach to options that NX 1 used. I like this change. A new Workspace feature lets you save your palette arrangements.

Simply select a saved workspace, and your palettes immediately snap to their previously defined locations. Figure 3.

The new Workspace feature lets you save palette configurations and easily switch between them with a simple menu option. Instead, the software stores your edits in a list and applies those edits to your original master image in real-time whenever the computer needs to display the image on-screen, print it, or write it to a file. The obvious advantage of non-destructive editing is that you can alter or remove any edit at any time, and in any order.

The Edit List in NX 2 has been greatly improved. In the previous version, when you clicked on an edit, a little dialog box-like thing opened up to the side of the list. You adjusted parameters there, then clicked OK.

With version 2, the Edit List simply houses controls that you adjust. In previous versions, Base Adjustments was where you controlled basic Raw conversion parameters and image processing controls that could be set within your Nikon camera.

The Edit List is now divided into two major areas: Develop and Adjust. Develop is where you perform all of the basic adjustments to globally tone- and color-correct an image.

Adjust is for additional, refined edits. Capture NX 2 automatically puts the edit in the appropriate pane within the Edit List. With version 2, the bulk of the Base Edit adjustments are in a new edit called Camera Settings. There you find all of the Raw conversion controls and other camera parameter settings that used to reside in Base Adjustments.

Camera Settings only appear if your image is a Nikon Raw file. The rest of the former Base Adjustments have been spread through other edits.

To facilitate a speedier editing workflow, a new QuickFix edit appears just below Camera Settings or at the top of the list if there is no Camera Settings. You control these edits through sliders and buttons within the Edit List. These tools automatically identify shadow or highlight areas and darken or lighten only those areas. Their implementation in Capture NX 2 is very good.

As with the previous version, Capture NX offers highlight recovery for Raw files. Nowadays, this is a standard feature in any decent Raw conversion program and an essential capability for Raw shooters.

Both the Exposure Compensation and Highlight Protection sliders perform highlight recovery. This is an area where the program could use some improvement. With them you can easily create complex selections and masks that are very difficult to achieve in other image editors — even Photoshop. To use a control point, simply click it on the part of the image you want to adjust. Capture NX samples the color beneath the Control Point, then uses that color sample, combined with the specified radius, to calculate a mask.

The brightness, contrast, and saturation adjustments are automatically applied through that mask. Figure 4. With it, you can easily make incredibly sophisticated localized adjustments. Capture NX also does an excellent job of attenuating its edits so that they blend seamlessly into non-edited areas. For especially tricky selections and masks, it was often a huge lifesaver.

For non-Nikon shooters, or for anyone who likes to keep the bulk of their work in Photoshop, Viveza is a great way to wnjoy the best part of Capture NX. Back to Capture NX 2: You can use the Control Point mechanism to make a selection that constrains the effects of any other Capture NX edit. This allows you to use the same sophisticated masking mechanism whenever you apply Levels and Curves, sharpening, noise manipulation, or any other edit.

A new Auto Retouch brush removes sensor dust and other image artifacts. Since edits are separate from image data, a non-destructive editing system merely has to copy the list of edits from one image to another.

Capture NX offers basic copy and paste controls for moving edits from one image to another and provides a simple batch-processing control for applying the same set of edits to entire folders full of images.

Along the way, you can also automatically rename. For what most people need for most of their images, though, NX 2 delivers. That added step can be a hassle. Otherwise, I recommend Viveza.

VIDEO REVIEW:

Nikon Capture NX2 Tutorial - Perfect Contrast with Double Threshold with Kristian Bogner

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